Category Archives: Drama Ideas

Activities that require youths to take on particular roles of characters and experience situations in order to better understand feelings, conflicts and other emotions

More Than A Baby

Theme:
Monologue tells of a young shepherd who looks for the King announced to him by angels, and finds only a tiny baby in a dirty barn. The Christmas story through the uneducated but “opened” eyes of a shepherd boy.

Cast:
1 This drama involves one young adult male actor.

Set:
No special set required.

Costume:
The actor, a shepherd in Biblical times, should be dressed in appropriate clothing.

Time:
7 minutes

Script:
Scene opens as actor enters from stage left. He speaks aloud thoughts to himself throughout the drama. Spotlight is always on him.
Actor: Going? Now? Just like that? Okay, I guess I’ll just keep up with them! They wouldn’t tell me much anyway, being the youngest shepherd out here and all. I guess we do what the angel just said, right? Listen to me – I’m talking like this kind of thing happens everyday! An angel of the Lord appeared to us and told us all that the Son of God has finally come! He has been born to the world! Of course we have to go and see. What an honor! An honor I really didn’t think a grungy old shepherd would have.
Wait up, shepherds! I don’t want to miss this!
Light fades to dark for a brief moment, then comes back up, indicating time has passed.

Actor: I wonder if we’re there yet. It’s strange, you know? Not only are they not talking to me, but they aren’t even talking to each other. It’s as though no words could describe this journey we shepherds are taking.
Well, looks like we’re stopping for the night, it looks like. An old barn. Not the greatest accommodations as usual, but I guess if it’s good enough for the horses and pigs, it’s good enough for a lowly shepherd to lay his head for the night. Oh, looks like this stable has already been claimed by some other weary travelers. Oh well, on to the next stop.
Turns around to go back out but stops to turn back again.

Why aren’t they coming? For once I thought they would want to keep up the pace! Come on, guys, we’ve got a King to see! I’ve never been in a palace before, let’s go! What’s taking them so long in there? (Peering in.) Why are they bowing down?
Slowly goes inside.

Wow! Looks like these travelers found shelter just in time! That’s a brand new baby right there! Poor thing, all they could find for a bed was an eating trough used by animals. Such a shame, for a baby’s soft skin to be poked with all that straw.
Looking up and moving back.

Oh, sorry, ma’am. I sometimes forget how low we shepherds are, and people sure wouldn’t want a grubby ol’ shepherd peering at their kids.
Looks up again.

The lady is smiling at me. I think she wants me to come and see her child. The other guys aren’t pulling at me as usual, so I guess it would be alright.
Moves a few steps closer.

Look at that – hands so small. Hard to believe hands that little could grow and accomplish so much in a lifetime. I wonder what those hands will hold one day?
And look at those feet – oh, they must be cold. There’s an old scrap of cloth barely covering those tiny feet – I guess that’s his first baby blanket. Wonder how many miles those feet will cross? I wonder where those feet will lead him?
His head, so soft and smooth, not a mark on it. I bet his mother will do everything in her power to be sure her baby’s skin remains so pure and untouched.
Looks like he’s got strong shoulders, probably got that from his father. I’ll bet he’ll carry a lot on those shoulders.
Looking around.
Well, this is a nice baby, but we really have to get to the palace to see the new King of Kings, the Lord of Lords that has been sent to save the world from the sin in which we created and now live. Come on!
Looks behind him.

We’d better get going, looks like there are others coming in. (Pauses.) Wait a minute! These people are obviously royalty, look at their clothes! We gotta get out of here or these poor travelers are going to think we came here to rob them! At least, that’s the general feeling when we shepherds are seen in public.
Wait a minute, why are three kings coming into a barn to visit this poor young couple? Who are these people – the parents of this new baby? The woman couldn’t be more than twelve or thirteen and the father would be maybe a few years older than that. They certainly don’t look like they come from any line of royalty, that’s for sure. Why would these kings make such a fuss about coming to visit a baby in a barn?
Baby? Could this baby be the King we were searching for? No, a king is born in a great palace with servants and riches galore! This is a dingy old barn – hardly the place the Son of God should be! Surely this couldn’t really be Him.
What are these thoughts that are swirling around in my mind? I see those hands – and I see mighty hands which will touch and heal many. I see those feet – and I see feet will travel many miles to seek and save the lost. I see that beautiful skin – so soft and pure. I see skin that will be covered with verbal and physical scars that he will bear on behalf of me and all mankind.

This much I know: This is more than a baby, born into such dirty and inhospitable beginnings. This baby will grow to one day impact the world in a way I can’t even begin to understand. This is more than a baby, so much more than a beautiful, precious moment in a manger.
This is more than a baby.
Spotlight fades.

©Copyright DramaShare® 2004, Used by Permission
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The Lord’s Prayer with Actions

(Introduction)
In kneeling position, fold hands in prayer and bow heads.

Our Father
Raise eyes upward.

Which art in Heaven
Raise arms straight upward, separating them on the word “heaven.”

Hallowed be Thy Name
Bring hands before face, then bend forward in a low bow with arms extended forward.

Thy Kingdom come
Rise to a straight kneeling position – arms open wide with the desire to clasp humanity close.

Thy Will be done
On the word “Will” lift left knee so that by the end of the phrase you will be standing and bring arms in to enclose humanity.

On earth
Eyes upward, arms downward

As it is in Heaven
(People in back rise) Eyes upward. Circle arms upward and down.

Give us this day our daily bread
Cup hand in raised position as if to receive, taking three steps forward.

And forgive us our debts
Cross arms on breast – look upward

As we forgive our debtors
Uncross arms to the side – look downward, taking two steps backward.

And lead us not into temptation
Take one step to the right, arms to the left as if pushing away

But deliver us from evil
Arms move from left position to a strong reaching upward to the right.

For Thine
Arms stretched wide open.

Is the Kingdom and the
Arms raised by degrees

power and the glory Forever
Arms circle down and cross in front

Amen
Arms gradually lower until four counts after the music has completely stopped. Head is bowed.
Adapted from p. 192 in “The Art of the Rhythmic Choir” by Margaret Palmer Fisk


MORE IDEAS? See “Creative Object Lessons”

200 page e-book that explains everything you need to know when planning your very own object lessons. It contains 90 fully developed object lesson ideas and another 200 object lesson starter ideas based on Biblical idioms and Names / Descriptions of God.

Learn More…

Drama in the Church

  1. What is drama?
  2. Controversy Surrounding
  3. Ways to Utilize
  4. How to Get Started
  5. Resources

An excellent article on using drama in the church by Becky Fox

It is said, “A picture is worth a thousand words.” There are also single words that conjure up vivid images – words like boom, sizzle, festival, surprise, Chicago. Drama takes both of these pieces – words and pictures – and creates an engaging expression of existence. Drama is communication and as such must include a giver and a receiver. Traditionally, the giver would be those on the stage, and the receiver, those in the audience. Today, drama is comprised of many creative expressions that blur the lines between giver and receiver, especially in this electronic age. Traditionally, drama was storytelling through individual spoken word, dialog amongst characters, and/or physical action. This kind of drama took on the forms of character monologues, presentational storytelling, sketches, plays, and pantomime presented by actors before live audiences. Then came the age of displaced receptors – Movies, TV, and Radio – encompassing the forms utililized previously, however now, the actors were performing for cameras, microphones, and technical operators. As the times have changed, so have the forms that encompass those things referred to as dramatic arts. They have grown to include participation on the part of the audience, improvisation by actors, and have even extended as far as oulets of dance and pageantry.

Drama and the theatre have been around for centuries, including within the confines of the church. It was not until the recent “Entertainment Age” that we have seen a resurgence of creative, dramatic, theatrical presentations within the church. For many years the use of anything remotely theatrical was forbidden from most mainline/fundamental/bible-teaching congregations not dissimilar to the ‘music-of-the-day’ creeping into worship services. Whether, it was seen as attempt to modernize the church or help it relate to society, or that eventually for good or bad, the church tends to resemble the culture in which it finds itself, we now find ourselves dropped in the middle of Engaging Entertainment that has brought drama and the creative arts back into the church. Now here in lies the controversy, simply the choice of the word Entertainment to in any way relate to the church or especially worship of our God. Notice the full choice however, Engaging Entertainment. Entertainment for entertainment’s sake is empty and devoid of true meaning or value. It may cause brief laughter or removal from the daily grind, but it doesn’t carry something to hold onto, to grasp, to understand, to engage our minds, our souls. Indeed, without one, one is left happily void, and without the other, reflectively irrememberable. It is in fact a balance of both that makes the dramatic arts creative and worshipful at the same time.

Scripture tells us to worship in spirit and in truth, mentally, physically, and emotionally. Because drama is a creative art form, there are literally an infinite number of ways to utilize it, adapt it, and make it work for any situation. Some options include: tell it yourself, tell it through others, tell it with others, tell it in your own words, tell it in others words, tell it without words. ‘Tell It Yourself’ means that you, as actor, are responsible for conveying the message of the story, problem, expression by yourself to some kind of audience, whether live or remote, hundreds or a few. ‘Tell It Through Others’ implies that there are actors separate from the words. Typically this would be presented as pantomime or to cross language barriers, where the actors are not the ones speaking. A third expression is to ‘Tell It With Others.’ This type of experience is just that, an experience for all involved from actors, directors, and technicians, to the audience alike. Any of these can be presented ultilizing ‘Tell It In Your Own Words’ – something the actor or director has written or adapted as an original art form – or as ‘Tell It in Others Words’ – something the actor or director has found and utilized in the context of worship. ‘Tell It Without Words’ implies choreography or staged pictures, pantomime or pageantry.

Here are some ideas for how to use drama in a church setting: reader’s theatre, Sunday school lesson, sermon introducer or recap, radio theatre, song introduction or recap, practical examples, ice breakers, mime (story/song), plays for outreach, outreach reperatory, telling Bible stories, discussion starters, announcements, involved worship, support groups, etc.

How to get started…. Pray. Determine whether you are the actor or director, producer, or all of the above. Find others of like-mind to help you or at least encourage you as you endeavor to serve God with your gifts, talents, abilities, hopes and dreams. Start slow. Whether its once a year, once a quarter, once a month, or once a week, start with what you can handle. It can be as simple as reading scripture dramatically or as complex as a full Broadway production for a dinner-theatre outreach. Pray. Decide what kind of help you’ll need to pull off whatever your plan is – actors, publicists, designers, script-writers, etc. Find or write, choreograph or adapt your play, sketch, monologue, dance or mime. Pray. Rehearse. Pray. Present. Pray. Recap. Pray.

Performing for an Audience of One…..

Source: Copyright Becky Fox
Used by Permission.

(Becky is the ICHTHUS Drama – Director (a worship and outreach dramatic ministry for 5th -12th grade students) at Liberty Bible Church: www.lbchurch.org and Founding Director of Area Christian Theatre Ensemble – a community theatre organization dedicated to producing family friendly productions with a distinctively Christian worldview. www.areachristiantheatre.org


MORE IDEAS? See “Creative Object Lessons”

200 page e-book that explains everything you need to know when planning your very own object lessons. It contains 90 fully developed object lesson ideas and another 200 object lesson starter ideas based on Biblical idioms and Names / Descriptions of God.

Learn More…

Emotional Charades

Activity
This is like normal charades, but the items to be pantomimed are different emotions. Do not announce this beforehand, but let the groups figure it out for themselves. The person who guesses the emotion gets a point.

Some suggested emotions that can be used are: anger, fear, happy, nervous, bored, bitter, overwhlemed, depressed, at peace, embarassed, loved, proud, detached, shocked, hate, and finally, love.

Icebreaker / Crowdbreaker Variation
In larger groups you might give each person one of the above motions. There should be at least two people that have each emotion. The objective will be to display the emotion until you find the other members of your group. When you think you have found your partners/group have a seat. Continue until all groups are seated. Then have each group strike a pose of their emotion.

Photo Variation
Obtain a variety of photos from newspaper clippings, magazines, and advertisements. Have the group identify the emotions displayed on people’s faces. Discuss the difficulty of recognizing love and other emotions.

Couples Variation
couples must perform the charade and whoever guesses it gets the next item on the list to pantomime. The person who guesses the emotion and the nearest person of the opposite sex on his/her right will be the next couple to get the clue. This means the two will have to demonstrate the emotion with each other… (e.g. Anger – pantomime yelling at each other, being upset, etc.)

Application / Debrief
1. What does love look like? What actions show love? How did you find your group? How do we find love? What do our emotions reveal about us? Are negative emotions a sin? Is it easier to control positive or negative emotions? Which emotions are the easiest to show? The most difficult?
2. Discuss the different emotions Jesus portrayed in his life as revealed in the scriptures.
3. Discuss the fruits of the spirit and how they relate to our emotions.
4. Focus in on the emotion of love and use the activity for Valentine’s Day
5. Use this as an introduction to a discussion on God’s Love


MORE IDEAS? See “Creative Object Lessons”

200 page e-book that explains everything you need to know when planning your very own object lessons. It contains 90 fully developed object lesson ideas and another 200 object lesson starter ideas based on Biblical idioms and Names / Descriptions of God.

Learn More…

I Am the Cross

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The story of Christ’s Crucifixion as told by the cross on which he hung and died.

Script by Vickie A. Puffer

“This script is made available through a special arrangement with Dramashare. If you are looking for free scripts for VBS, summer camps, youth meetings, mime, Children’s sermons, puppetry, clowning, human video, choral reading, interpretive movement, or a sermon starter, then DramaShare is one of the best Drama Ministry resources I have ever found. It is the world’s most visited Christian drama ministry web site. Purchase an annual membership to DramaShare ministry at the link http://dramashare.org/item.php?id=2959 to get free access to over 1,500 royalty free scripts on-line.” -Ken 

Monologue
Copyright 1998 Vickie A. Puffer Published by DramaShare®

Isn’t it amazing the variety of ways God speaks to us? Of course there are the obvious—like listening to the minister, reading the Bible, or singing hymns. But on those occasions that we allow ourselves to fully open up to Him, He’s there in the form of children laughing, a beautiful sunrise, a quiet moment with your dog, or even in a dream.

God touched me in a very special way a few months ago and He made it very clear that He expected more from me than to just tuck it away somewhere in the back of my mind. I was to write about it—to share what he brought to me. “But I’m no writer,” I rationalized, “I can’t do justice to such an awesome experience.” But that’s exactly what He expected. I procrastinated, but he persisted. Then I got distracted, but then He showed me how I was putting worldly things ahead of Him. That’s all it took. I started writing.

A young lady in our church performed an interpretive dance during the worship service one Sunday morning. I’ve always loved dancing and it was fascinating to watch her move with the music. Although I was mesmerized at the time, right now I’m at a loss to recall the details.

I do recall the look on her face. She was radiant, blissful as she offered her gift to the Father. I’ve had that feeling myself and rejoiced with her in it. But the one thing I remember with absolute clarity is the moment that she paused with her arms stretched out to either side. And in that simple pose I saw a cross, not in the traditional form of wooden beams, but in human form—a human cross, like me. I am the cross. In a flash of clarity I realized that it wasn’t the nails in his hands and feet that caused Jesus’ pain and suffering, it was me. He didn’t die as a result of being tortured upon a plank of wood, he gave his life to save me from the torment of my own sinfulness. He put himself between me and eternal damnation.

You still don’t quite understand, do you? It’s okay, I knew this would be tough to explain. Instead of trying to tell this story by starting at the end, maybe it will help if we go back to the beginning. Crosses, as we have come to know them, are made from trees, so let’s start with that in mind. Let’s start out as a tree.

As a tiny seed I was fortunate to fall onto the fertile ground of a garden where the rich soil made it easy to take root. I learned much through conversing with the other trees and plants that lived there. They explained what would happen when I got older—how we trees would eventually be taken down and hacked into firewood to be burned up or, at best, made into a piece of wretched furniture. What a miserable fate!

From time to time a procession would pass by offering glimpses of the most magnificent treasures and beautifully dressed people. Now that was more like it—definitely the life for me—and so it became my fervent desire to be part of one of those splendid households. I would be a lavishly carved banquet table, or a gilded chariot, or even the bearer of royalty…a throne for a King!

I was fiercely dedicated to this quest—constantly preening my leaves, working on my branches so they would be straight and unbreakable, and honing my trunk to be healthy and strong. This work was all consuming so, unlike the other trees, I had no time for frivolities like swaying in the breeze or playing drop-a-leaf-on-someone’s-head. Such behavior could have broken a branch!

All the hard work was worth it, though, because I was stunning. Even the other trees had to admit it was so. People would gather around me, resting in my luscious shade, gazing up at me with such adoration. I was the envy of the garden. Why, even the thorn bushes that grew on a nearby hill agreed that I was destined for greatness!
The peacefulness of the garden was disturbed one day by a large crowd lining the street nearby. They were waving palm branches and shouting joyously. Convinced that it was a royal procession, I fluffed up my leaves and put on my best showing. It was somewhat bewildering—not to mention disappointing—when all that appeared was a rather dusty man riding a small donkey.

A person standing near suddenly grabbed my lowest branch and began climbing. Several of my smaller limbs were broken and many leaves fell—apparently all because this person wanted a better look at the man on the donkey. I was outraged! What was he thinking?! Didn’t he know that it would take a long time for me to repair such damage?
When the rider approached, the man sitting on my branch shouted to him, calling him “Jesus.” He then climbed down and, after a brief exchange, they went away with the wildly cheering crowd. Whoever that Jesus was, he certainly wasn’t worth the damage done to my branches!

Over the next several days I heard a lot about this Jesus person. The people were in awe of Him—proclaiming him a great teacher and even calling him The Messiah, whatever that meant. Wherever he went there was a crowd—especially children. I liked it when they sat in the shade under my branches and I listened intently to his lessons.

He told the people all about God, his Father in Heaven, and how God had created all things. He shared with them how much God loved them. He also talked a lot about forgiveness of a terrible thing called sin.

Apparently, it was considered a sin whenever you did something that went against God’s will. And unforgiven sin would cause you great misery, and you’d spend your eternity in a frightening, evil place called Hell. This talk about sin made the people pretty uncomfortable and I assumed it was probably because they had done lots of it.
I also heard that Jesus performed miracles. Now I’d never, ever heard of any person doing the things that Jesus was said to do, so I found this hard to believe, until I witnessed it for myself.

A man who had been blind since birth had no family to look after him, so every day he would sit in my shade, begging food or coins from passersby. But they were poor, too, and the pathetic man was barely able to take care of himself. It was terribly embarrassing to have him hanging around because he was dirty, his clothes were ragged, and he didn’t smell very good. Despite my best efforts, whenever he was there the people tended to avoid coming near me.

Jesus and these men he called “disciples” noticed the blind man and one of the disciples asked Jesus what sin he or his family had done for him to deserve such a fate. Jesus replied that the man’s blindness was not the result of anyone’s sin. Then he made a dab of clay from dirt and spit, touched the blind man’s eyes with it, and told him to wash it off in a nearby pool. Jesus left, but when the blind man came back, he could see! This definitely was a miracle!

Although it seemed that everyone loved Jesus and wanted to be close to him, there were a few who criticized him, calling him a blasphemer and saying that the miracles he performed were just tricks he used to confuse people. Their talk had a dark, ominous tone and it frightened me. Once, I even saw one of Jesus’ disciples talking with these people. His name was Judas and he seemed quite torn about what was being discussed, but in the end, he took a small pouch from one of the men and ran away into the night.

Late one night, several figures entered the garden and although I couldn’t see their faces, I recognized one voice: Jesus. He seemed deeply troubled and asked the others to stay awake with him while he prayed—talked with his Father—but they fell asleep, leaving Him all alone in the darkness. And he did pray. All the pain and torment of his heart came pouring out like nothing ever witnessed in my quiet little sanctuary. He cried out until his voice was hoarse. His body tensed to the point that I thought his muscles would surely burst. And it was blood, rather than sweat, that gushed from his pores. Surely no one in the history of all the world would ever, ever know such anguish.

The light from a row of torches broke through the darkness as soldiers and a small crowd burst through the garden gate. There was some shouting and a brief scuffle. Then the oddest thing happened: Judas, the disciple, stepped up to Jesus and kissed him on the cheek. The soldiers grabbed Jesus and then took him away. It seemed that Judas had used the kiss to identify Jesus to the soldiers. But why? I tried to make sense of it all, but everything had happened so fast and I just couldn’t comprehend what it all meant.

I’d all but forgotten the incident when, some time later, several official-looking people gathered around me. I assumed they were there to enjoy my shade and admire my beauty, but this time there was something odd about the way they looked at me, whispering and nodding to one another. It made me very uncomfortable even though I felt certain their comments were positive.

The next thing I knew I had been cut down and was being transported to a carpenter’s shop. This was it! My moment of truth had come! For my entire life I had dedicated every effort to being the best. Surely these people would see that I should be reborn into something worthy of such perfection! Oh, please, let it be a throne for a King!
My new shape was unfamiliar—not part of a throne or a chariot, not even a simple table, but something I’d never seen before. Just a long, straight pole with a shorter pole joined across it. And my texture had been left rough and full of splinters. Surely this had to be a mistake. I reasoned that this couldn’t possibly be the final product and that someone would be along any minute to finish up.

As I bemoaned my fate, the doors opened and three soldiers dragged me outside. Nearby, in the dust, knelt a small figure that looked to be a man. It was obvious that he’d been severely beaten. One soldier yanked him to his feet as the other two hoisted me up onto his shoulder. When they let go, he staggered and fell. They could not possibly expect this one pitiful creature to carry what had taken three of them! But they did.

The beaten man was ordered to his feet, and once again I was placed on his shoulder. He staggered forward, dragging me through crowd-lined streets. He was so bent and lame that he could manage only a few steps before we would fall again. After what seemed like hours with little progress, one of the soldiers grabbed a bystander from the crowd and ordered him to carry me. He did so, but only in fear for his life. The beaten man followed close behind.

Progress was slow and the crowd was yelling angrily at the beaten man, although I couldn’t make out what they were saying. Soon we came to a hill and I saw at the top two wooden shapes that looked much like me. There was something attached to each of these shapes and, as we got closer, I could see that each shape had a man attached to it. I wracked my brain to remember if I’d ever heard the people talk about such a thing. Some vague recollection nagged at me and, as we climbed, I was hit with the cold, hard realization of what I had become: a cross. An instrument of torture. A method of execution.

How could this have happened to me? I had worked so hard—invested every ounce of my energy into achieving my goals. I had been so certain of my future, but those hopes and dreams had been smashed beyond all comprehension.

Tossed to the ground, I listened in stunned disbelief while the soldiers dealt with the beaten man, yelling and cursing at him, spitting on him. They gambled for his only possession, a robe, and when they took it away I could see just how savagely he had been treated. His hair was matted with sweat and blood. His legs, face, and arms were black with bruises. And his back was covered with thick red stripes of raw, torn flesh. He must be the vilest sort of criminal to deserve such punishment. I was just about to look away from the sickening sight when—to my horror—I realized who the man was. It was Jesus!

My mind was reeling. What is wrong with these stupid people? Even I know that Jesus is no criminal! What could he possibly have done that would merit such heinous torture? He had always been so gentle, so kind, so filled with love and forgiveness. Why would they turn on him like this?

There were more soldiers now—and the angry crowd that had followed us through the town pressed in so tightly that there was no air to breathe. Jesus was stretched out over me and one of the soldiers yanked his arm over my crossbeam. Then he took a long metal spike and, with three sharp hammer blows, drove it through Jesus’ hand. Of course, I couldn’t feel a thing, but Jesus cried out as his entire body reacted to what must have been unbearable pain. The process was repeated with the other hand and his feet—and with each strike of the hammer I could feel the jolting of his body.

Once this deed was done, the crowd was ordered to step back while lengths of rope were tied to each end of my crossbeam. With three strong men lifting and four on the ropes, we were set upright and secured. As we rose up, gravity took hold of Jesus’ body, pulling on him as if trying to tear him down, and once again he was wracked with searing pain.

He could scarcely breathe as my splinters dug deep into the raw flesh of his back. For a moment I forgot my own lamenting as I desperately tried to hold him up, but my timbers would not move. I had worked hard to make them rigid and inflexible—perfect for my needs, or so I had thought. But now, for the first time in my life, I truly understood the meaning of sin. It wasn’t something that only applied to others. It described how I had lived my entire life—primping and preening, focusing only on my wants and my needs. I had been prideful, vain, selfish, and now my sinfulness prevented me from offering even the slightest bit of relief for this innocent, suffering person.

The crowd surged around my base, much like they had done in the garden—but in their eyes I no longer saw adoration and appreciation—just hatred. They continued to jeer and curse Jesus but he didn’t seem to hear. He was speaking softly—praying to his Father in Heaven that I had heard him talk about so often.

A man on one of the other crosses confessed to Jesus that he was a thief and asked for forgiveness. He wanted Jesus to remember him once he was in Heaven. Then Jesus said the most remarkable thing: “Today you will be with me in paradise.” Paradise!? How could he possibly be thinking of paradise? This place was as far from paradise as one could get. Even the sound of its name—Golgotha—sounded cold and evil. Oh, how I longed for the safety of my garden.

Someone from the crowd seized a spear and thrust it into Jesus’ side. He made no sound but his head rocked back and it was only then that I noticed the thorns. Taken from the hill near the garden, lengths of them had been woven into a sort of headpiece—a crown of thorns—and placed firmly—painfully—on Jesus’ head.

With the crowd urging him on, a man tacked a piece of paper above Jesus’ head and read it aloud: “This is Jesus. King of the Jews.” And as they laughed and mocked him, my destiny was fulfilled: I was a bearer of royalty. I bore the King of the Jews. Blood mixed with sweat trickled down the length of me, mingling with sap that I shed as though it were tears. I wept not for me, but for the one who did not deserve this.

Why was this happening? This man had the ability to perform miracles—I had seen him—so why didn’t he save himself now? He could take the nails away and there would be nothing to hold him there. Why did he stay? What held him? Oh, how I wanted to help him, but my sinfulness had created a vast chasm that I could not reach across.

There was a moan from Jesus—all had been quiet for such a long while—but suddenly it was as if every vile and evil thing of the earth had seized him. The sins of all the people had come upon him and were trying to tear him apart. “My God, my God, why have you forsaken me?” was his cry as his body convulsed violently.

Finally the convulsions stopped and he managed to whisper: “Father, forgive them. They don’t know what they’re doing.” And there, at last, was the answer. Jesus was The Messiah—the Son of God—the only one capable of perfect, unconditional, all-forgiving love. The nails had no power to hold him there. Love is what bound him to me. With that belief anchored firmly in my heart, I prayed to the Heavenly Father, confessing my sins of selfishness, vanity, and pride, and humbly asking for his forgiveness. “I’m sorry. I’m sorry.”

Now gasping for each breath, Jesus spoke again, “It is finished.” And with those words my sin was banished and I was reborn. No longer would I be a cross—rigid and inflexible, an instrument of pain and torment. My timbers yielded with new-found freedom and at last I could reach out to offer him comfort. He had given his all for me, and I now gave to him all that was mine to give. I gave him my heart.

The crowd had fallen silent and all that could be heard was his quiet breathing. It was as if we were all alone in that dark, unholy place. His body was so frail, broken under the burden of sin he alone had carried. Dark, red blood flowed out of the wounds from which I had been spared. One last time, Jesus spoke: “Father, into your hands, I commend my spirit.” And as I held him in my arms, Jesus died.

I looked out at the people. A few wept openly, as I did. Most looked away. But no one would leave that place unchanged by what they had witnessed there. One by one they went away, disappearing into the night. Finally, only a handful remained—Jesus’ friends and his mother. They came forward and took him from me—gently, carefully—and carried his body away.

A few days passed before I heard the rest of the story: Jesus had overcome death! He had risen from the grave and now walked triumphantly among the people! But his time here was short because he would soon ascend to Heaven to sit at the right hand of God. I had to see him one last time! I found him with the disciples on a road just outside the city. He smiled when he saw me and I wanted to ask him to remember me, but I couldn’t get the words out. He whispered to me, “I will be with you always, even to the end of time.” And I believe he will.

I am the cross—imperfect, undeserving—living by my own selfish choices. But because of the sacrifice Jesus made in my place on that blood-soaked hill, and because I believe in the grace of an all-powerful God, the cross—my sin—no longer has power over me. I am forgiven. I am reborn. I am a new creation in Christ.
The End (or the beginning)


MORE IDEAS? See “Creative Object Lessons”

200 page e-book that explains everything you need to know when planning your very own object lessons. It contains 90 fully developed object lesson ideas and another 200 object lesson starter ideas based on Biblical idioms and Names / Descriptions of God.

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The Carpenter

dramashare.jpgMonologue about the builder of the cross on which Jesus was crucified. Can be used at any time of year, including Easter. Based on the ideas in a script written by Kate Rothacker.

“This script is made available through a special arrangement with Dramashare. If you are looking for free scripts for VBS, summer camps, youth meetings, mime, Children’s sermons, puppetry, clowning, human video, choral reading, interpretive movement, or a sermon starter, then DramaShare is one of the best Drama Ministry resources I have ever found. It is the world’s most visited Christian drama ministry web site. Purchase an annual membership to DramaShare ministry at the link http://dramashare.org/item.php?id=2959 to get free access to over 1,500 royalty free scripts on-line.” -Ken


Staging Information

Keywords

cross, carpenter, remorse

Cast

Monologue, likely male

Costumes

either traditional or contemporary

Sound and Lighting

Mic for actor
a tight spot on the actor would be useful, with the balance of the acting area in shadow.

Props

a few very large nails and a carpenter’s belt, hammer

Run Time – (approx)

5 minutes


Script



Actor comes on stage, looks down at mimed cross upstage, speaks

It is finished! My work completed. I delivered as was contracted, six stout cross beams, strong enough to hold the weight of a full grown dying man.
I’m always pleased to see a job completed. Pleased with the feeling of accomplishment. And also with the financial rewards as well, no reason to deny that.
I am a carpenter, . . . a fine carpenter, like my father . .and his father before him. A carpenter, an honorable profession.
I have made the things that the people of Jerusalem take for granted. Things on which they sit, or lie, or eat, . . . . . . sometimes those on which they die.
Once delivered I no longer think of these articles, or the people who pay me handsomely for supplying them. Should I worry about the thoughts or character of the one seated on the chair I have made? Should I lay awake wondering if the meals served on my tables tonight were healthy and nourishing?
The very thought is preposterous.
Well, I do admit to some discomfort when first the Roman guard gave me this task, but honestly more than I chaffed at this work, I chaffed at having to perform services for the Romans. Overbearing fools! And at any rate, the crimes committed by those who will die on these works of art were done in full knowledge that retribution would be swiftly and painfully accomplished. And further, Roman gold buys food as well as any other gold!

looks over shoulder, upstage

Yet when I saw my handiwork on hillside of Golgotha, great chills ran throughout my body.

moves downstage as though begging audience to understand

What have I done?
What have I done?

more confident

Look, it is surely nothing to be ashamed of. I did my job, nothing more, nothing less. I did as I was expected, and I did it well.

less self-assured

Why, then, is it strangely different this time? I see the three in the holding pen there, that they deserve their fate I have no doubt. That one, Elishua, one of the most feared robbers in the nation. No highway was safe by night or day with the likes of him about. Yet I heard he had some miraculous conversion when the prisoner yonder entered Jerusalem some days ago. In fact, I’ve heard it was the letting down of his guard that allowed the Romans to capture Elishua.
Nonetheless, who am I to judge whether the crimes of these men were sufficient to merit death on the cross? That weighty matter is Pilate’s domain. My role is simply to find a strong tree out of which to fashion the beams, which will bear the broken bodies high that all might see the shame of sin.

quieter
They say that the Nazarene was also a carpenter. A man like me. Could that be why my soul seems ill at ease?

annoyed

I could not know that. For all I know dozens of carpenters have found cruel support from the work of my hands… (holds hands up, looking at them closely) My hands. . . I have used these hands, as likely he used his, to make something useful out of nothing. These hands of mine have given new life to that which was dead, an ugly, useless old log became a stool on which a mother could sit with her child. These hands have shaped and molded old pieces of wood until they became utilitarian tools, even works of art, in use and on display in homes throughout the area. With these hands, many times I have cut and hammered. My hands, a hammer and a handful of nails fashion great works.
. . . hammer.
. . . . .and a handful of nails.
They hammer a nail through the hands of the crucified, you know. And the feet!

(throws nails to the floor, loudly, begins pacing)
But what was I to do? Was it not their choice to commit their crimes? I did not place any man upon the cross; it is their offense, not mine, which hangs them there.
And yet, in how many ways we are alike!
We worked the same trade, he and I, but I go on with my craft while he hangs on my cross.
I don’t know who this man was. I have no way of knowing what he did to receive this punishment. But this I know; I can no longer continue my trade.
I will inform the Romans immediately they can find somebody else to make these cruel instruments of death.
I did that which I had contracted for . . . and now. . . ., my work . . .it. . . . is . . . .finished.

actor off stage


MORE IDEAS? See “Creative Object Lessons”

200 page e-book that explains everything you need to know when planning your very own object lessons. It contains 90 fully developed object lesson ideas and another 200 object lesson starter ideas based on Biblical idioms and Names / Descriptions of God.

Learn More…

Easter Freeze Frames

Materials
Costumes and props related to the story (optional)

Game Play
Tell the group they are going to act out and photograph “freeze frames” of the important parts of the Easter story. Ask them to “Try to imagine how the Easter story happened 2000 years ago.” (You can provide Bible costumes and props for greater realism, but they are not required.)

Choose a number of Easter Bible events as freeze frames. Assign one event to each group. The participants must come up with at least four key scenes that include appropriate poses, facial expressions and hand gestures. They pose in a scene and freeze and a picture is taken.

Potential Scenes: Characters

Jesus annointed with Perfume – Jesus, Chief priests and teachers of the law, people (crowd), Simon the Leper, Mary the sister of Martha (the woman with the jar of perfume), disciples, Judas Iscariot
The Triumphant Entry / Palm Sunday – Jesus, Disciples, Crowd
The Lord’s Supper – man carrying the jar of the water, the owner of the house with the large upper room, the disciples, Judas, Peter, Jesus
Garden of Gethsemane – Peter-James-John, God the Father, Jesus
Jesus’ Arrest – The servant of the High Priest who had his ear cut off, the streaker who lost His garment, guards, Jesus, disciples
Peter denies Christ – the servant girl who questioned Peter, the crowd, Peter
The Trial – Jewish Leaders, Sanhedrin, High Priest, Jesus, guards, those who were asked to give false testimony
Christ’s beating by the Roman soldiers
The crucifixion – John, Mother of Jesus, centurions, Disciples, Joseph, God, Crowd
Easter morning – Mary and Martha, Peter, disciples, Angels, Guards
Upper Room – Disciples, Thomas, Jesus

During the skits take a picture of each of the four scenes (Digital camera’s work great). Put the pictures in a slide show or powerpoint file on your computer and you have an Easter keepsake, as well as, a gift for all the participants.

Variation
Create a video news report of the story. Have one person be the reporter in the newsroom (at a table), then go to a reporter in the field who interviews the various participants in each scene.]

Variation
Use follow up questions for the different scenes to facilitate some lively discussion:

Example:
• What did it feel like to be a Roman Soldier? A disciple? A character in the crucifixion scene?
• Why did the disciples scatter?
• How did the bretrayal feel?
• How would you have responded to the empty tomb?
• What feelings / thoughts were running through your mind for each event?

Note: This is also a great way to bring to life almost any Bible Story.

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Compassion

The tale of the centurion

centurion.jpgThe sky was dark, gloomy, ominous.
A blackened canvas, awaiting a storm.

We had spit upon his face.
Blood and spit dripped down his body,
like rain off a tattered jacket.
He struggles to remain conscious,
His body is beaten, shredded, disfigured…
The braided whip, pieces of iron and stone, unleashed their fury.
Left behind–hanging skin, quivering ribbons of bleeding flesh.
His brow is punctured, dripping,
A pool of blood beneath him, a crown of thorns upon his head.

He stands and stumbles,
Dizzy in the center of the raging storm of hatred.
His eyes strain to focus, the blur of faces,
The jeering voices rising in thunderous commotion,
Cursing, mocking, taunting.

Seizing him, I spin him around and crack my fist upon his face.
Open wounds, stripped, naked, bleeding.
I push him to the rocky ground,
Stones embedding in his wounds…

I drag him, sideways to rough, splintered timbers,
His arms, stretched and held.
A spike at his wrist…
A hammer raised–Clank, Clank, Clank…
The timber raised, this man of Galilee upon it…

He had promised life, healed the wounded, took away pain,
But now, his life was draining, his body wounded, engulfed in pain.

Yet, with compassion in his eyes,
Not anger, not hatred, but compassion,
He looks…

He’s looking at ME, his executioner…
As if waiting?
What to do?

To look away, or look at him.
“How can I, a Centurion, believe?”
“Come down off the cross if you’re the Son of God!”

He still looks,
Compassionately, waiting,
What to do?
“Speak to me! Say something?”
…..Nothing…..

The crowd thins as the sky darkens,
“Come with us, don’t waste your time!”
“He’s no more God than you or I!”
I stand, speechless, agonizing…
…then…

As a child to his parent he says so tender,
“Father, into your hands my Spirit I give,”
And at that moment he is no longer.

The earth shakes, the thunder bellows,
“Run you fool, forget the wretch”
I can’t, can’t move, can’t budge.
Fall to my knees,
“Surely, this MUST be the Son of God”

Copyright 1988 by Ken Sapp
Free for non commercial use.

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Games and Activities in celebration of Easter.

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Easter Charades

Activity
Choose several events from the Easter story to be acted out by participants. Using these scenes, play a
game of charades.

Variation
Have participants re-enact the scenes in friezes–or stop-action scenes.

camera.jpg
Variation
Have the participants set up the scenes in the order that they happened. Take pictures of each pose.

List of events and scripture references

  • Jesus and the twelve disciples come into Jerusalem from Bethany, to partake of the Passover meal. (Mark 14.12-16)
  • Jesus was arrested in the Garden of Gethsemane (Mark 14:43-52)
  • Jesus’ brought before Annas (John 18:12-14)
  • Jesus before the Jewish Leaders (Mark 14:53-65)
  • Jesus before Sanhedrin (Mark 15:1a)
  • Jesus before Pilate (Mark 15: 1b-5)
  • Jesus before Herod (Luke 23:6-12)
  • Pilate releases a prisoner (Mark 15:6-15)
  • Jesus survived painful beating, whipping, and mocking (Mark 15:16-20)
  • Pilate handed Jesus over to be crucified (Mark 15:6-15)
  • Jesus was mocked by the soldiers as they dressed Him in a purple robe and a crown of thorns (John 19:1-3)
  • Jesus was crucified on Golgatha, which means the Place of the Skull (Mark 15:22)
  • The sky turned dark for three hours (Mark 15:33)
  • Jesus cried, “Father! Into your hands I commit my spirit!” and He died (Luke 23:46)
  • Pilate’s sealing and guarding the tomb (Mt.27:62-66)
  • Mary Magdalene, Mary the mother of James, Salome, Joanna and other women start for the tomb (Mt.28:1, Lk.23:55-24:1)
  • The earthquake, the stone rolled away by the angel, the open tomb, and the terror of the Roman guards (Mt.28:2-4)
  • The report of the guards to the chief priests (Mt.28:5-6)
  • The chief priests’ bribe to the Roman guards (Mt.28:12-13)
  • The Roman guards spread the lie that Christ’s body was stolen (Mt.28:15)
  • The women see the open tomb, and the message of the angels (Mt.28:2-7, Lk.24:2-8, M.16:3-8, Jn.20:1-2)
  • The recovery of the grave clothes by Peter and John (Jn.20:3-8)
  • Jesus Appears to Mary Magdalene (Jn.20:11-18, Mk.16:9)
  • Jesus Appears to women returning from the tomb (Mt.28:8-10)
  • Jesus Appears toPeter later in the day (Lk.24:34, 1Cor.15:5)
  • Jesus Appears to the Two Emmaus disciples (Lk.24:13-33)
  • Jesus Appears to the 10 Apostles in Jerusalem, on Easter Sunday, with Thomas absent (Lk.24:36-43, Jn.20:19-24)
  • Jesus Appears to the 11 Apostles in Jerusalem, one week later, with Thomas present (Jn.20:26-29)
  • Jesus Appears to seven Apostles, by the Lake of Tiberias, in Galilee (Jn.21:1-23)
  • Jesus Appears to 500 brothers and sisters on a Galilean mountain (1Cor.15:6)
  • Jesus Appears to Jesus Appears to James (1Cor.15:7)
  • Jesus Appears to the Eleven in Galilee (Mt.28:16-20, Mk.16:14-20, Lk.24:33-53, Act.1:3-12)
  • The Ascension (Act.1:3-12)

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Games and Activities in celebration of Easter.

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Christmas Freeze Frames

Materials
Costumes and props related to the story (optional)

Activity
Tell the group they are going to act out and photograph “freeze frames” of the important parts of the Christmas story. Ask them to “Try to imagine how the Christmas story happened 2000 years ago when Christ was born.” (You can provide Bible costumes and props for greater realism, but they are not required.)

Choose a number of Bible scenes as freeze frames. Assign one scene to each group. The participants must come up with appropriate poses, facial expressions and hand gestures for each freeze frame.

Shepherds
* Scene 1: The shepherds hear the angels tell of Christ’s birth (example: Participants should show fear, awe, excitement, etc).
* Scene 2: The shepherds believe the angels’ proclamation
* Scene 3: The shepherds discover the Christ child
* Scene 4: The shepherds return to their homes and fields, glorifying and praising God

Wisemen
* Scene 1: Following the star
* Scene 2: Before Herod
* Scene 3: Finding Jesus
* Scene 4: Returning Home

You can also use events involving Mary, Joseph, In the temple with Simeon, Elizabeth, etc.

During the skits take a picture of each scene (Digital camera’s work great). Put the pictures in a slide show or powerpoint file on your computer and you have a Christmas keepsake, as well as, a gift for all the participants.

Variation
Create a video news report of the story. Have one person be the reporter in the newsroom (at a table), then go to a reporter in the field who interviews the various participants in each scene (animals included).]

Discussion
Use follow up questions for the different scenes to facilitate some lively discussion:
• What did it feel like to be a shepherd? Angel? A character in the manger scene?
• Why did the angels appear to the shepherds and not someone else?
• Why did the shepherds drop everything to go find out about some baby?
• What does this “baby” mean to them?
• What does this “baby” mean to us?

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Games and Activities helping youth discover the Reason for the Season.Get more than 200 creative ideas for planning a Youth Christmas celebration or Christmas Party party. You can immediately download my best Christmas Icebreakers, games, illustrations, Christmas activity ideas AND MUCH MORE in a useful ebook!
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